technology


Sony Music is Evil!! 1

Earlier this week it was revealed that Sony music has been installing a particularly nasty type of DRM on some of their audio cds. There is a technology called rootkits which gets into the lowest level of your computer operating system. At that level programs actually modified operating system instructions and redirect them. In this way for example if you list the files in a folder a rootkit can intercept the call and return a falsified result. By doing this files can be cloaked from view. This stuff was originally developed by hackers as a way of invading computer systems without being detected. Rootkits can be discovered with some specialized software like RootkitRevealer. A lot spyware and viruses use rootkit technology to prevent being detected and removed. A really good explanation of rootkits can be found by listening to to Episode 9 of the Security Now podcast. Security expert Steve Gibson explains rootkits in a very clear concise way. This is definitely worth a listen, as is the whole series if you use a computer with an internet connection.

Mark Russinovich is the guy who wrote RootKitRevealer and he was recently testing the latest revision on his own computer. In the process of testing, he discovered a rootkit on his computer. Of course as a security expert who knows how to protect himself, he was quite surprised at this. He wrote a very detailed description here. What he found is that a music cd he recently purchased had installed this rootkit as part of its digital restrictions management (copy protection) scheme. It now turns out that the software that Sony sureptitiously installed on his and countless other computers around the world was actually very dangerous and put a lot of people’s computers at risk. The sony drm was so poorly written that it cannot be removed without damaging the operating system. Virus and spyware writers can take advantage of this spyware to cloak their own malware now. Sony and other music companies use this drm technology allegedly to protect there music holdings from being shared on p2p networks and sold by pirates on street corners. The problem is anyone with any technical savy can get around this protection by simply disabling autorun on a windows computer to keep it from installing anything. Also copying the cd on a linux or mac computer will also bypass the drm. All the cds that have ever been issued with drm are readily available on file sharing networks.

The disgraceful part of this is that the only people who will be hurt by DRM are people who actually go out and pay money to the record companies to buy their music. So if you are foolish enough to be “honest” you will put your computer at risk of being hacked or damaged so that you have to reinstall your os and software. If you are sharing music you will be fine. Is this a good or ethical practise? Is it good to punish your honest customers while being totally ineffective at trying to protect your revenue stream? If you are going to buy a cd check the package for indications of copy protection or enhanced features. If there are any such markings put the cd down and walk away.

I don’t buy any music from labels that members of the RIAA anymore. This both because of the drm they use and the lawsuits that they have filed against, their customers. Boycott Sony Music and all members of the RIAA. Buy music from independant musicians through their websites or companies like EMusic, MagnaTune, Mp3Tunes and other music sellers that actually give a substantial amount of the money back to the musicians rather than overfed record executives like Edgar Bronfman and Howard Stringer. There are a bunch of links over on the sidebar, to new musicians I have found recently. There are also links to sites like the Association of Music Podcasters and the Podsafe Music Network. From there you can find links to lots of music podcasts where you can discover new music that is worth listening to and supporting.

BOYCOTT SONY!!!


Production Quality or Content? 2

The other day. the NY Times had good piece on podcasting. There was a great quote from Dave Winer (one of the creators of podcasting), “I love podcasting because it turns us all into investigative journalists of our own lives.”. Here is Dave’s elaboration on the statement. One of the main things in the piece is the spectrum of investment people make into equipment for podcasting. There has been a bit of discussion going on online about production quality in podcasts. Dave Slusher has also written about it in response to to this piece posted by Steven Hill on Steve Gillmor’s blog.

Essentially a lot of traditional radio types are saying podcasting sucks because of bad production quality. This is bullshit. Production quality is not irrelevant, after all if you can’t understand what is being said, the content doesn’t mean much. But regular radio generally has what most would consider great production quality. But 90% of what you here on radio is shit content. I believe that the quality of the content is vastly more important than the production quality. I don’t care how good something sounds if there is nothing worthwhile to hear. As long as I can hear what is being said, I am fine with some background or ambient noise or the occasional umh, ahh or cough as long as the podcaster has something interesting/funny or relevant to say. Don’t get me wrong, there are lots of podcasts out their with awesome production quality, check out Digital Flotsam, Bob and AJ, the Zedcast and Accident Hash for just a few examples. But there are plenty of podcasts with what many pro’s would consider poor production quality that are vastly more listenable than almost anything on the radio. Morning Coffee Notes, Evil Genius Chronicles and Dawn and Drew all qualify here. None of these are edited, all contain what would be considered flaws and I listen to all of them because they are real and have something to say to me. I have heard quite a few podcasters over the past year buy more elaborate gear to try get better sound quality. Frankly once they reach a certain point, the extra tweaks are only marginal improvements at best if they are even noticable. In many cases I have heard people talk about new mikes or mixers and frankly can’t tell any difference from the previous shows.

You don’t need a lot of expensive studio gear to make a great podcast. But you do need good content. If I can hear the content, that is what counts. Entertain me, inform me, make me think, make me laugh, introduce me to new music. This is what counts. the rest is just icing on the cake.


Artificial Life?

I just watched Nova Science Now with Max. The first segment was about creating articial life from scratch. They talked to various scientists about what it would take to create life from basic elements. They showed how it might be done. They described how life is defined. The host asked the various scientists what might be learned from creating new life from scratch.

The thing that really disturbed me about the whole segment was that at point in the entire 20 minute segment did anyone ask “Is this a good idea?” I personally believe that we are playing a very dangerous game here. If they do create new life (and I have little doubt that they can) what might ultimately result? Do we create something and then destroy it? What if we create something dangerous? Is this really ethical? I think human’s technical capabilities have vastly outstripped the species’ development of sufficient wisdom about how best to use those capabilities. I believe that we need to slow down and think more about why we are doing things before we do them.


Slashdot | Video iPod Apple’s First Bad Move?

Slashdot had a piece today pointing to a NY times article about whether the new 5th gen iPod
5G iPod may have been a mistake. The basic premise is one that many in the press have repeated in recent days that the video capability of the new ipod is in adequate. Frankly I think the whole discusion of the ipod’s video feature is pointless. Prior to this past Wednesday when he announced an ipod that could play video, when asked about it Steve Jobs always said it was a bad idea. He said that the experience of watching video on such a small screen would not be enjoyable. He was right. I also don’t think that very many people will be willing to pay $2 an episode to watch tv re-runs and music videos (actually who would want to pay any price to watch music videos?). In the first few weeks some curious people will surely buy them just to check it out. However, I think that sales will quickly wane. Watching video is a distintcly different experience from listening to audio. You actually have to WATCH the screen. When you are watching video, you generally can’t do anything else. I listen to my ipod in the car when I am commuting to work, when I am sitting at my desk writing code, walking at lunch, reading blogs, cleaning the kitchen after dinner, working in the garden, you get the picture. There have been a variety of digital video players on the market for well over a year. None of them have sold very well. The only portable device that plays video that has sold in any significant numbers is the playstation portable, and that is mainly because it is a great game machine. There have also been portable tvs around for well over a decade, none of which has been particularly succesful, certainly nothing that has done as well as the ipod.

There is also the issue of the copy protection. No big media company will allow their stuff to be sold without some stupid drm scheme. So that means that videos you buy from itunes cannot be burned to dvds (although you can back up the files to dvd for archiving, you just can’t play them on any dvd player). The only place you can watch them is on the computer or ipod. Who the hell wants to pay for video you can’t watch on your tv? This will I think be the deal breaker.

Over time there have been three commercially succesful classes of portable media devices that have sold in huge numbers. The first was the Sony walkman tape player ( and the countless clones). The second was the portable cd player. In both of these cases, the generic clones generally sold quite well because there wasn’t much to distinguish any of the players. Because of the limited capacity, the user interface was not very critical and they were all pretty much the same. The case styling varied a bit but functionally, they were indistinguishable. Then came the mp3 player. They did OK when the first Rio players came out but it wasn’t until the ipod that really high capacity players started to sell in huge numbers.

Now don’t get me wrong. I don’t think the 5G ipod will be a failure. Not by a long shot. I think it will sell like gangbusters. It just won’t be because of video. Video is really a non-issue. Video will be one of those features like all the other “extra features” (think fm tuners, voice recording, etc) that most of the other competing players have but that hardly anyone uses. The ipod will sell for the same reason it has always sold. It is just the best digital audio player. The scroll wheel gives it the best control interface of any audio device. For high capacity players you need a interface that lets you easily scroll through long lists of audio files. The scroll wheel works because you can scroll through the list with your thumb without lifting. With the linear touch pads of devices like the creative and iriver players, you have to lift your thumb repeatedly to go through a long list. It just doesn’t work as well. The new version of the ipod has all the virtues of the previous generations (except for the faster firewire interface, now usb only) in an even thinner, better looking package. By making such a big deal about the video stuff, complainers are just whining about something that ultimately I feel will be irrelevant.


Movie exec again prove they are idiots! 2

The leaders of the film industry have again proved that they are utterly clueless about the 21st century. Instead of rethinking spending upwards of $100 million on crap like war of the worlds, and going out and relearning how to tell stories with films, they are going to flush a bunch of money to try to make their own copy protection. From techdirt.com:

The six leading Hollywood studios are setting up “MovieLabs” a research consortium designed to create all this anti-copying technology that all of us techies have been hiding from the entertainment industry all this time. Apparently, our devious plan to not tell the industry how to stop copying will be foiled now!

If the studios would focus on creating movies that people actually want to see that for a price that they are willing to pay. Who wants to pay $10/person to seek drek like the fantastic four and so many other hollywood failures. The likes of Tom Cruise, Julia Roberts and others don’t need to be paid $20million a pop. Movies like 28 Days Later are shot on digital video (using the Canon XL1s) and look awesome and cost a fraction of the price of many studio flicks. Screw the big studios, and their crappy blockbusters. Go with the independants and find stuff that is really worth watching.


Help stop the RIAA

I am copying the following post from Geeknewscentral.com because it is important if you don’t want the recording industry controlling what technology you use and what you hear.

The RIAA trying to reduce the quality of future Radio Reception
CALL TO ACTION

The RIAA has decided that the makers of next generation of Digital Radio Receivers need to legislated so that you will not copy music that is being broadcast over the digital airways.

They are asking congress to build restrictions into these digital players so that they cannot have material copied out of them and also to reduce the quality of the music.

From the EFF “In other words, the music industry is basically saying that, where recording from next-generation radio is concerned, government must step in and freeze innovation to ensure that you can never do anything that you couldn’t do with an analog cassette deck in 1984. This, despite the fact that Congress specifically approved of digital recording off the radio in the Audio Home Recording Act in 1992. So this is about stopping music fans from doing things that are perfectly legal under copyright law.”

I encourage you to read the entire article by the EFF and visit the associated links. Join the letter writing campaign to speak out. [EFF]


Microsoft uses invalid code on website in order to make it work with IE

Here is another reason not to use Internet Explorer and better yet not to use any Micorsoft product. IE is so badly broken and not compliant with internet standards that MS has to use invalid html code to make pages look right in IE. This means that it won’t render properly in other browsers. In Firefox it looks like this:
ms html in firefox

MS does this on purpose because they don’t want users to use other browsers. If people use other browsers MS can’t control what they see and do. Non-IE browsers don’t work with most microsoft support and download pages either. It wasn’t always that way. Until a few months ago almost all ms pages were accessible from firefox but ms changed them so that now you get an error message that you must use IE to view this page. Fortunately someone came up with an alternate page where you can download windows updates from firefox. Just go to windizupdate.com.

Microsoft web site building tools also generate invalid html. My son’s school site doesn’t work properly in firefox either. Someone built it using a microsoft tool and it only works in IE. The school district web site used to be that way too but I managed to get in touch with someone responsible for the site and got them to fix it. I still have to figure out is responsible for the school site. This kind of behavior is part of why I refuse to support Microsoft with my money (not to mention many other reasons). Microsoft is a very poor corporate citizen, and generally does not do things that are good for the overall internet community.

BTW I found this item on digg.com, a very cool tech news site.


Library wants to offer books people can’t listen to 8

Do you use an Apple computer? Do you use a Linux based computer? Do you use an Ipod? Do you still use an older version of windows (pre-xp)? Do you only have a cd player? Well if you answered yes to any of these then the Ypsilanti library doesn’t seem to care about you. The Ypsilanti Public Library currently plans to offer a downloadable audio book service to there customers begining next year. Unfortunately they are getting this service from a company called netlibrary.com. All of netlibrary’s offerings are encoded with Windows media drm (their “plays for sure” tech). Unfortunately if you don’t have xp and don’t have one of the handful of digital audio players (mp3 players) that support this copy protection scheme you are SOL. You can’t listen to these books on a mac or linux machine. You can’t listen to them on an Ipod and you can’t burn them to a cd to listen to in your car. Oh sure there are ways around the protection. No one has ever come up with a copy protection scheme that actually prevents stuff from being copied. But that is a hassle. And since we are paying taxes to support the library, why should we have to deal with that? Approximately 70-80% of all the mp3 players sold to date are ipods (and they are quite inexpensive now starting at $99 for a shuffle). Itunes has about 75-80% of the legit downloadable music market. Clearly the market has spoken and largely rejected devices that use window media. And even if you have a windows media device that is more than about 8 months old or is one of the cheap ones they sell at Target, Wal-mart etc, you are also out of luck because they don’t support plays for sure either.

I would urge all Ypsilanti residents to contact Christy Havens at the library at

Christy Havens
Ypsilanti District Library
5577 Whittaker Road
Ypsilanti, Michigan 48197
734-482-4110 ext. 1375
havens@ypsilibrary.org

Voice your displeasure with this plan before it is too late.


Steve Ballmer’s Temper

Everybody who follows the tech industry knows that Steve Ballmer (CEO of microsoft) can be rather loud and obnoxious. If you haven’t see the monkeyboy video check this out. That was from some microsoft conference a few years back. Also check out this ipod commercial parody based on it Well in recent months, microsoft has had a legal dispute going with google over googles hiring of a former ms employee. Another former ms employee Mark Lucovsky told the following tale of his exit interview with Ballmer when informing him that he was going to google:

Prior to joining Google, I set up a meeting on or about November 11, 2004 with Microsoft’s CEO Steve Ballmer to discuss my planned departure….At some point in the conversation Mr. Ballmer said: “Just tell me it’s not Google.” I told him it was Google.

At that point, Mr. Ballmer picked up a chair and threw it across the room hitting a table in his office. Mr. Ballmer then said: “Fucking Eric Schmidt is a fucking pussy. I’m going to fucking bury that guy, I have done it before, and I will do it again. I’m going to fucking kill Google.” ….

Thereafter, Mr. Ballmer resumed trying to persuade me to stay….Among other things, Mr. Ballmer told me that “Google’s not a real company. It’s a house of cards.”

I think Ballmer needs learn to relax a little. I am amazed the guy hasn’t stroked out.


The entertainment industry will soon disappear

And good riddance to it. The executives in the industry are obsessed with protecting their products and limiting what customers can do with it. Well once I buy something, it is mine and no one should be able to tell me what I can do with it as long as I am not putting anyone else in danger. The only reason I even vaguely support the itunes music store is because the drm that itunes puts on the songs is really just an afterthought and is easily removed. The first thing I do with songs from itunes is run jhymn and xtrip off all the protection. Most people apparently haven’t encountered drm yet, but I agree with this post from Tim Bray

There’s a lot of noise over the Open Media Commons DRM-for-the-masses announcement. Me, I thought Jonathan Schwartz’s little parable yesterday was way more interesting. What all the DRM dreamers don’t want to admit is that 95% or more of the population hasn’t yet encountered DRM, and when they do, they aren’t going to like it. They’re going to scream and scream and scream and get mad as hell and not take it any more. I’m talking about the honest people who play by the rules: they buy a house and the vendor moves out and pulls no more strings. They buy sofas and flowers and wine and paper and the store where they bought them doesn’t try to limit what you can do with them, and when the digital-media vendors try to horn in on this relationship, the response is going to be “you and whose army?” OK, if there’s ever a place where DRM is appropriate, it had better be open and non-monopolistic and all that. But the music and movie companies who are clinging to this idiotic idea that they can sell stuff to people and retain the rights to micromanage it, well they’re in for some really unpleasant surprises. People who are surprised, or think I’m a radical, should check out Cory Doctorow’s classic rant; for slightly different, but also stimulating angle, see Roger Sperberg’s The Law of Computer Entropy.

When exposure to drm becomes widespread, I think people will abandon the mainstream music and movie industry and go to more enlightened independants who don’t automatically assume everyone is a criminal, but instead treat them with some respect.